Kunle Afolayan’s October 1 arrives in theatres on the back of the Nigerian Independence Day. Much like the day it is set aside to commemorate, October 1 also serves us a paradox of how far we have come but, tellingly, how rooted we are in the murky waters of colonialism. Afolayan’s film uses a latter-day colonialContinue reading “FILM REVIEW; OCTOBER 1”