African Cinema, Film Reviews

BOYS NO DEY CRY – Tragedy and dysfunction colour this affecting portrait of modern Ghana

It only took 12 minutes for Albert Donkor to construct the most vivid portrait of Ghanaian society in a good while. Very textured and brimming with empathy, this story by JoeWackle Kusi and Ricky Ansong, is a tacit critique of a dysfunctional society that has failed on the political, religious and familial front. ‘Boys No… Continue reading BOYS NO DEY CRY – Tragedy and dysfunction colour this affecting portrait of modern Ghana

Film Reviews

READY OR NOT, here the blood-sucking rich people come

The year is 2019 and the uprising against capitalist scum is being led by a bloodied bride in a ripped wedding dress in a pair of worn Chuck Taylors. Running at a cool 95 minutes, ‘Read or Not’, also known as ‘Fucking Rich People’ is a class satire that never shies away from caustic punch… Continue reading READY OR NOT, here the blood-sucking rich people come

Film Reviews

ONCE UPON A TIME IN HOLLYWOOD is a beautiful lament teetering on masterpiece status

It’s fitting that the first Quentin Tarantino film I saw on the big screen, the first of his films I have seen with a crowd, was one about Tinseltown. The novelties in Tarantino’s ninth film extend to the makeup of the film, which, for the most part, swaps the swagger and gratifying pulp his fans… Continue reading ONCE UPON A TIME IN HOLLYWOOD is a beautiful lament teetering on masterpiece status

Film Reviews

THE KITCHEN – This listless crime drama refuses to get its hands dirty

Allow me second to wipe this clown makeup off. Your boy thought 'The Kitchen' was going to be 2019’s Widows. Why the high expectations? Maybe its because it was adapted from a DC Vertigo comic. Or maybe it was just the cast which included three exciting actresses; Tiffany Haddish, Elisabeth Moss and Melissa McCarthy, who… Continue reading THE KITCHEN – This listless crime drama refuses to get its hands dirty

Film Reviews

I AM MOTHER presents clever musings on nature, nurture and humanity

It’s always a great sign when piece of sci-fi cinema leaves you with chill-inducing ideas to mull over. Netflix's ‘I am Mother’, the largely contained feature debut from filmmaker Grant Sputore, gets a load of credit on this front. On the flip side, 'I Am Mother' also leaves you with fists clenched because of the… Continue reading I AM MOTHER presents clever musings on nature, nurture and humanity

African Cinema, Film Reviews

FINYE – Oppression lies behind every corner in Souleymane Cissé’s jagged allegory

Souleymane Cissé never strays far from the essence of African cinema in his 1982 film 'Finye'. A spirit of rebellion is the connective tissue that holds the various layers of the portrait of urban Mali he constructed in his third feature. That spine of resistance is all we have to hold 'Finye’s' clunky narrative together.… Continue reading FINYE – Oppression lies behind every corner in Souleymane Cissé’s jagged allegory

Film Reviews

ANNA – Besson’s nadir will be remembered as a soulless anachronistic mess

My first impulse after ‘Anna’ was to dismiss it as entirely trash. Then I calmed down, slept on it for a day and decided most of it was merely bland leaving the screenplay as the sole disastrous component. Even though I had set my bar right in the core of the earth’s crust, somehow this aggressive troll… Continue reading ANNA – Besson’s nadir will be remembered as a soulless anachronistic mess

African Cinema, Film Reviews

THE DELIVERY BOY sports a flawed emotional core too embroiled in the trauma Olympics

A sense of self-preservation unites the central characters in Adekunle Nodash Adejuyigbe’s thriller ‘The Delivery Boy.’ A Muslim extremist youth with a burning blood lust is being hounded by a mob. Nearby, a sex worker emerges triumphant after a scuffle over her pay. But she soon takes flight, moving as fast as her pumps will… Continue reading THE DELIVERY BOY sports a flawed emotional core too embroiled in the trauma Olympics

Film Reviews

Theological inspiration and Kaiju pulp wrestle flat human drama in GODZILLA: KING OF THE MONSTERS

Of my many cinematic regrets, not seeing Garth Edwards' 'Godzilla' on the big screen towers over my other qualms. Procrastination, always a thief of time, can also be a thief of joy. Edwards' 2014 film angles the titan as an awe-inspiring deity impossible to comprehend but deserving of our worship. Edwards did not think us… Continue reading Theological inspiration and Kaiju pulp wrestle flat human drama in GODZILLA: KING OF THE MONSTERS

Film Reviews

JOHN WICK: CHAPTER 3 – PARABELLUM is an elegant homage to everything we love about action cinema

There is a poetic coda to 'John Wick Chapter 2'; which sets the thrilling agenda for the third entry in what must be, pound for pound, the pinnacle of action cinema. Our hero, the perpetually zen merchant of death John Wick (Keanu Reeves) has just been made aware he has an hour until an open… Continue reading JOHN WICK: CHAPTER 3 – PARABELLUM is an elegant homage to everything we love about action cinema