RAMBO: LAST BLOOD is a soulless goodbye to a beloved icon

John Rambo was a totem of my childhood and an institution that cast a large shadow over action cinema for decades. Over the course of four films, the character crystalised by Sylvester Stallone morphed from a tragic and affecting portrait of a casualty of the Vietnam War to a slice of ‘80s pulp pro-American propagandaContinue reading “RAMBO: LAST BLOOD is a soulless goodbye to a beloved icon”

AD ASTRA’s gloss wears off with time but Brad Pitt’s class is unmatched

I’ve calmed down a bit since I rushed out of my ‘Ad Astra’ screening to Twitter to all but declare it my film of the year. As the excitement simmered away and I organised my thoughts for this piece, sanity prevailed and ‘Ash is the Purest White’ resumed its place atop that list pending ‘Joker’Continue reading “AD ASTRA’s gloss wears off with time but Brad Pitt’s class is unmatched”

BOYS NO DEY CRY – Tragedy and dysfunction colour this affecting portrait of modern Ghana

It only took 12 minutes for Albert Donkor to construct the most vivid portrait of Ghanaian society in a good while. Very textured and brimming with empathy, this story by JoeWackle Kusi and Ricky Ansong, is a tacit critique of a dysfunctional society that has failed on the political, religious and familial front. ‘Boys NoContinue reading “BOYS NO DEY CRY – Tragedy and dysfunction colour this affecting portrait of modern Ghana”