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Monthly Archives: January 2014

PICKS IN FILM, BEST OF 2013

It’s that time of the year when peeps look back and assess the good, bad and ugly of cinema in 2013. This is the first time I’m offering up an end of the year film lists and I have seen some very good films from far and wide. I didn’t count but I’m pretty sureContinue reading “PICKS IN FILM, BEST OF 2013”

Posted byDelali Adogla-BessaJanuary 1, 2014April 7, 2016Posted inUncategorizedLeave a comment on PICKS IN FILM, BEST OF 2013

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  • Delali Adogla-Bessa
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  • FILM REVIEW; THE MARTIAN
    FILM REVIEW; THE MARTIAN
  • Theological inspiration and Kaiju pulp wrestle flat human drama in GODZILLA: KING OF THE MONSTERS
    Theological inspiration and Kaiju pulp wrestle flat human drama in GODZILLA: KING OF THE MONSTERS
  • JOHN WICK: CHAPTER 3 - PARABELLUM is an elegant homage to everything we love about action cinema
    JOHN WICK: CHAPTER 3 - PARABELLUM is an elegant homage to everything we love about action cinema
  • BLACK GIRL - Sembene prods at the myth of decolonisation in his blueprint for African Cinema
    BLACK GIRL - Sembene prods at the myth of decolonisation in his blueprint for African Cinema
  • SIN BIN OF THE CITY - A visit to a working museum to racism
    SIN BIN OF THE CITY - A visit to a working museum to racism
  • FILM REVIEW; MOONLIGHT
    FILM REVIEW; MOONLIGHT
  • FILM REVIEW; Ousmane Sembène’s EMITAI
    FILM REVIEW; Ousmane Sembène’s EMITAI
  • Ejiofor crafts an altar to science and resistance in THE BOY WHO HARNESSED THE WIND
    Ejiofor crafts an altar to science and resistance in THE BOY WHO HARNESSED THE WIND
  • ALITA: BATTLE ANGEL - Our heroine is here to kick ass and that should be enough
    ALITA: BATTLE ANGEL - Our heroine is here to kick ass and that should be enough
  • YEELEN - Souleymane Cissé leaves us spellbound with sublime visuals and staunch mysticism
    YEELEN - Souleymane Cissé leaves us spellbound with sublime visuals and staunch mysticism

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January 2014
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